Category: Cinema

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Heritales @ Casa do Brasil – Lisbon (7th of March 2019)

Marabaixo Stories

The black people from Amapá, an amazonic Brazilian state, tell their own history through “Ladrão de Marabaixo” songs. They sing verses inspired by real events, mixing religious references, reality and fantasy, with humor and criticism in a poetical way.

  • Target Audience: General public, youth, adults, seniors
  • Day: 7th of March 2019
  • Time: 19.00
  • Duration: 72 min
  • Location: Casa do Brasil (Lisboa)
  • Presence of the director: TVideoconference
  • Registration: No registration required but limited space available
  • Extra Activities: Presentation and debate with María Zozaya, co-director of the Heritales – International Heritage Film Festival, since 2016 and Doctor and researcher in History.

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Bel Bechara – Sandro Serpa

Bel Bechara and Sandro Serpa have been working together for 15 years with film, video and photography. Graduated in Social Communication from UFMG, they have designed and performed several documentary and fiction projects, shown at national and international shows and festivals and on television. In 2001 they founded Macondo Filmes, in prey for which they carry out their copyright projects and provide services.

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Heritales @ CAE of Navalcarnero – Spain (15th of February 2019)

Sounds of Kibera

In Kibera (Nairobi), one of the biggest slums of the world, Simon, Philip and Geoffrey have created the collective MADE IN KIBERA (MIK). Their goal is to unite the numerous artists of Kibera and provide them with a space inside the tough conditions of the slum where they can grow. MIK is constructing a professional music and video studio that will help the local artists record their work in higher quality and, in order to promote it, they are preparing a massive event that is already bringing together all Kibera artists.

  • Target Audience: General public, youth, adults, seniors
  • Day: 15 of February 2019
  • Time: 20.00
  • Duration: 90 min
  • Location: Auditorio del Centro de Artes Escénicas de Navalcarnero (Spain)
  • Presence of the director: no
  • Registration: Not required
  • Extra Activities: Tertulia debate: María Zozaya, co-director of th Heritales – International Heritage Film Festival, since 2016 and Doctor and researcher in History CIDEHUS. Rocío Royo, Lda. en Derecho y gestora cultural of the  Espacio C.
    Aldera Velasca    , Violista coordinator of the project DaLaNota and president of the platform REDOMI, web of organization musicsociology. Daniel Lovecchio, Co-diretor of the teatre TylTyl (Navalcarnero)

Luis Lanchares Bardaji

Luis studied Audiovisual Communication Bachelor (Madrid) and an MA in Social Communication (UK). He participated in the creation of two webseries, however, he always focused in the use of communication to create impact and change. He has worked for several NGO’s creating audiovisual materials, as well as being chief of communication for KUBUKA NGO in Kenya. Luis is a strong believer in the use of visuals for social change and KIBERA SAUTI, his first feature documentary, is the first time he will use the cinematographic language as one more ally for social communication. Nowadays he lives in Tenerife, where he mainly works in the camera department, while he’s preparing his next film about a group of acrobats from Zambia.

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Heritales @ Fraschetta Blues (27 Dicember 2018)

Supper for the Dead Souls

“…The dead souls enter into homes at midnight, passing around the laden tables, departing afterwards satiated only by the aroma of the food. If, instead no dish has been prepared the dead leave accompanied by heavy sighing…”
It is still alive in Sardinia the ancient habit of leaving served on the table, on the night between 1st and 2nd November, a supper for their own dead, consisting of a full meal characterized by sos macarrones de sos mortos (the macaroni of the dead).
Filmed in Orune, in central Sardinia, this documentary – with an observational approach – describes the preparation of the banquet and some connected rituals.

  • Target Audience: General public, youth, adults, seniors
  • Day: Thursday 27, Dicember  2018
  • Time: 18:00
  • Duration: 16min
  • Location: Frachetta Blues  Nettuno (Roma)
  • Presence of the director: No
  • Registration: Not necessary but come early because places are limited
  • Extra Activities: More films

Ignazio Figus

Born in 1960 in Alghero (Sardinia – Italy), he lives and works in Nuoro (Sardinia). He learnt about documentary production at the Istituto Superiore Regionale Etnografico, where he was worked since 1987. He is responsible for the audiovisual activities of the institute. His first directing experience was in 1996 with the documentary Giorni di Lollove (Days of Lollove), wich focused on the daily life and festive occasions of a small outward lying ward of Nuoro. This first work was followed in 1997 by Il Lino a Busachi, about the production of working of linen in a small hamlet in central Sardinia, in 2000 by Toccos e Repiccos-Bell ringers in Sardinia, which proposed documenting what remains of the world of bell ringing in Sardinia, in 2004 Dogon in Barbagia, in 2008, Brokkarios, about a family of potters who live and work in Siniscola, in eastern Sardinia, in 2014, S’impinnu (The Vow) and in 2017, La cena delle anime (Supper for the Dead Souls).
He has collaborated on several significant productions outside the ISRE, of these it is worth remembering Giuseppe, pastore di periferia (condiVisioni, 2004), Trittico Pastorale (condiVisioni, 2008), Il Coraggio e la Poesia ( Amm.ne Comunale di Ittiri, 2010) and Ab Origine – Biofilm (condiVisioni with the support of BioSardinia and Slow Food, 2015).

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HERITALES @ Casa da América Latina – Lisbon (3d of October 2018)

The Sound of Bells + Lecture

Honorable Mention Heritales – Short Documentary 2017

In Minas Gerais, Brazil, bell sounds set the pace of life of the residents of the historic cities, announcing time for work, rest, pray, and celebrate. Over 40 different bell rings are known in the region, and were nominated as Brazilian Intangible Cultural Heritage. The bell ringers, characters from the top of the towers, are known to have transformed bell rings over the centuries from their colonial origins and have mixed them with the strong African heritage in Brazil. The documentary is a poetic representation of religious experience in everyday life. The feature film The Sound of Bells is part of an expanded documentary project, which is pioneering the use of new media for the dissemination of the intangible heritage. Digital technology can support increased appreciation of cultural heritage, strengthen dialogue and understanding among cultures. How do younger generations react, interact or create new ways to express their cultural heritage? The project works with the combination of memory and new technologies, sound mapping and community engagement through a transmedia production that includes an online multimedia platform with sound cartography and innovative content, an interactive documentary, audiovisual public interventions on churches facades and an award-winning audio guide app for mobile devices.

Category: Documentary – Duration: 70′ – Spoken Language: Portuguese – Subtitle Available: English – Spanish – Production Date: 16-07-2016 – Producer/Production Entity: Estúdio CRUA

estudiocrua.com.br

  • Target Audience: General public, youth, adults, seniors
  • Day: Wednesday, 3d of October
  • Time: 18:30
  • Duration: 120 min
  • Location: Casa da América Latina
  • Presence of the director: Yes
  • Registration: This activity  does not requires booking. But the limit of participants is 100.
  • Extra Activities: Lecture before the projection

Marcia Mansur

Marcia  is a producer and documentary filmmaker and has collaborated with institutions such as “Video in the Villages”, aimed at supporting indigenous people through audiovisual and “UnionDocs”, the Brooklyn Center for Documentary Arts. Her short films have been screened in festivals such as Contro-Sguardi International Festival of Anthropological Cinema (Italy, 2010), and awarded Honorable Mention in Festivals such as Filme Etnografico do Recife (Brazil, 2010).

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Marina Thomé

Marina Thomé is a documentary filmmaker and photographer. She holds a master´s degree in Creative Documentary (UAB – Barcelona, Spain). Marina is the co-author and director of photography for the documentary “La Ciudad Tipográfica”, shot in Barcelona and presented in international film festivals such as Tirana International Film Festival in Albania, and co-directed the first Spanish interactive web documentary “SEAT: Shadows of the Progress”.

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HERITALES @ Tor Caldara Anzio (Italy) (22nd of August 2018)

Lampedusa Turtle Group (out of competition)

The camera shows the activities of the Rescue Center of Turtle Marine of Lampedusa: the relationship with fishermen, the care of the patients hospitalized, the collecting data for scientific researches, students training, sensibilisation, release into the sea of marine turtles, emphasizing the passion and dedication of volunteers supporting the work of the Rescue Center every day.

https://aethusfilm.wixsite.com/film/ltg

  • Target Audience: General public, youth, adults, seniors
  • Day: Wednesday, August 22
  • Time: 18:30
  • Duration: 7,34 min
  • Location: Tor Caldara Anzio, Rome (Italy).
  • Presence of the director: No
  • Registration: This activity requires booking. The limit of participants is 50.
  • Extra Activities: Other shorts for kids before this film

Salvatore Tuccio

My name is Salvatore Tuccio, in art Aethus, and since the beginning of my work of reporter and video movie maker I tried to underline the emotions and motivations of the situation I was representing.
Recently I am involved in the creation and editing of wedding videos, and web formats. My activities, initially dedicated to the migration flows, are more and more diversified with the realization of short films, commercials and events both touristic and environmental. I worked and I’m collaborating with various newspapers and televisions, not only providing audiovisual material, but also in the stages of production and post-production. I have experience in film as assistant director, production assistant and location manager

https://www.facebook.com/aethusfilm

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HERITALES @ Tor Caldara Anzio (Italy) (22nd of August 2018)

(A) Social

“When was the last time you turned off the phone for ten days?” From this question arises the project: the director Lucio Laugelli tells in an experiment the daily life of four boys (normally hyper-connected) isolated in the mountains without a smartphone and connection.

https://www.facebook.com/asocialdoc/

  • Target Audience: General public, youth, adults, seniors
  • Day: Wednesday, August 22
  • Time: 19:00
  • Duration: 57min
  • Location: Tor Caldara Anzio, Rome (Italy).
  • Presence of the director: Producer
  • Registration: This activity requires booking. The limit of participants is 50.
  • Extra Activities: Other shorts for kids before the main film

Lucio Laugelli

Born in Alessandria, in 1987.He graduated from DAMS of Bologna and then specialized to IULM. He founded and coordinates an online magazine and homonym cultural association, Paper Street. Since 2009 runs audiovisual. Since 2010 is a freelance journalist. His works have been published by Rai, Corriere TV, Panorama, Wired, GQ, Rolling Stone, Mymovies, La Stampa Tv, Film Tv, Tgcom24, Il Fatto Quotidiano, Gazzetta Tv, RepubblicaTV, Roxy Bar TV, Movieplayer, Film UP, Rockit.

https://www.facebook.com/luciolaugelli

http://www.luciolaugelli.it/

http://www.stanwoodstudio.com/

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HERITALES @ Andanças (5th of August 2018)

Écoute

When I decided to go live with Annie Garby to film a documentary about free dance, I already Knew the type of trip that was in store for me. 92 years and a lifetime of dedication. How not to imagine that past and present were going to interconnected by dance, nature and music.Isadora Duncan, Francois Malkovsky, Alexandre Bodak. Annie Garby, the same spirit has been passed on, so that today, we can go from being witnesses to protagonists.

https://www.facebook.com/documentaldanselibre/

  • Target Audience: General public, youth, adults, seniors
  • Day: Sunday, August 5
  • Time: 11:00 am
  • Duration: 54min
  • Location: Cineteatro Castelo de Vide (Portugal)
  • Presence of the director: Yes
  • Registration: This activity does not require registration. The limit of participants is the capacity of the space, but come early to find seats.
  • Extra Activities: Included in the program of Andanças dance festival 2018

 Rocío  Prieto

Throughout her professional career as a copywriter in different agencies in Spain and Portugal, she has always done audiovisual works since the creation of the idea, until, in 2015, when she was already a free dance teacher, she decided to unite her two passions and make a documentary by her teacher Annie Garbie. It is the first time that it passes from the script to the realization. From dance to the image. With a degree in Advertising and Public Relations, she combines her profession as a creative writer in Lisbon and her vocation with dance. Folklore Charro, Flamenco, Modern, until 2008, when through his brother Orestes, she comes to the Free Dance. Currently working in an advertising agency, he teaches free dance and is discovering her new talent as a filmmaker after finishing her first documentary: Ecoute, an experience with Annie Garby and free dance (2017).

https://www.facebook.com/danzalibrelisboa/

http://www.ahoradanzalibre.com/
https://www.danselibre.net/
https://danselibrelyon.wordpress.com/category/danse-libre-2/
https://fr.wikipedia.org/wiki/Fran%C3%A7ois_Malkovsky

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HERITALES @ Ajuda, Lisbon (28 of July 2018)

Cine-Event ‘Bijagó

“Sculpting the Spirits” is a journey off the West coast of Africa exploring how the magical world of the Bijagós people is threatened by the generational changes happening in their society.
The strange and close relationship that the Bijagós have with spirits and nature defines the matrilineal structure of their society and informs every decision taken by the community. However modernity and Christianity are now spreading across the islands, developing new needs based on money, luring young people away from their traditions.
Banca, a famous sculptor of spirits, feeling tired, old and worried for the future of a culture in profound transformation, does his last sculpture instructing his son in the hope he will take over.
Guided by a storyteller and our characters’ voice “Sculpting the Spirits” is not only a journey exploring how Bijagós women have special powers to embody spirits while men can only sculpt them but is also the link between spiritual beliefs and the survival of a community.

Trailer: https://www.scottishdocinstitute.com/films/sculpting-the-spirits/

URL: https://www.bijagosfilms.com/sculpting_the_spirits

  • Target Audience: General public, youth, adults, seniors
  • Day: Saturday, July 28
  • Time: 21:30
  • Duration: 54min
  • Location: Largo da Paz, Ajuda, Lisbon
  • Presence of the director: Yes
  • Registration: This activity does not require registration. The limit of participants is the capacity of the space, but come early to find seats.
  • Extra Activities: Dedicated space to art and culture of Guinea Bissau promoted by  “Made In Guine Bissau” https://www.facebook.com/madein.guinebissau

Noemi Mendelle

After graduating in Anthropology and Women’s Studies, she started her film career with Steel Bank Films (1982), a Channel 4 film workshop based in Sheffield. She is an experienced director, producer & exec producer on the international scene, having worked on numerous documentaries for broadcast (Ch 4, BBC, Arte, ZDF, YLE, SVT, RTP, RTBF,RAI…) and theatrical release. She set up Scottish Documentary Institute in 2003 and over the years devised several talent ladder award winning schemes: Bridging the Gap, This is Scotland, Stories. She serves on juries and panels at festivals and runs workshops in Africa and Levant region.
2002, she co-produced Fellini, I’m a Born Liar (France), nominated for Best European Documentary; 2007 State of the World (Portugal), an omnibus film directed by various filmmakers including Apichatpong, Chantal Akerman and Wang Bing, which premiered at Cannes Directors’ Fortnight, and most recently she exec produces most feature films going through SDI productions (Time Trial /Syrian Stories / Donkeyote /Libya in Motion/Where we are meant to be /Seven Songs / Norfolk / I Am Breathing …) working with wide range of emerging and established talent.

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Luís Correia

Luís Correia was the co-founder of the AporDOC association, director of the “International Encounters of Documentary Cinema – Amascultura”, of the “CineCiência” Festival, and founder of the DOCLISBOA Festival.

He is a member of the EDN – European Documentary Network and since 2001 participates in the steering committee of the European program EURODOC.

In recent years he has developed several co-production and cooperation projects in Africa, including the AfricaDOC training program, aimed at young filmmakers from the PALOP countries.

Lx Filmes was founded by Luís Correia in January 2000 and since then has produced dozens of films screened and awarded internationally.

https://lxfilmes.com

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HERITALES @ EarthFest (Sunday 22nd of April 2018)

Cine-Debate: ‘Bondança’

HERITALES brings to EARTHfest 2018 the documentary ‘Bondança’ (Abundance).

Directed by Manuela Barile, with research by Luis Costa and Manuela Barile and local mediation by Isabel Silvestre, ‘Bondança’ is  an almost wordless documentary about the yearly celebration of corn in a tiny rural village of the municipality of São Pedro do Sul (Viseu Dão Lafões Region), from its seeding to the making of corn bread, intertwined with many of the local female polyphonic chanting.
The presentation of the films and moderation of the debate will be in charge of Nicola Schiavottiello, with online guests Luis Costa and Manuela Barile.

http://www.binauralmedia.org

Manuela BarileManuela Barile

Manuela is an Italian artist living and working in the Portuguese rural area of Lafões since 2006. There, she has been developing place-based projects in close contact with local communities, taking into account specific aspects of the territory such as tradition, memory, community architecture and history, and symbols and rituals deposited as indelible signs in the ground. Her works combine sound and visual anthropology, documentary, video art, performance art and vocal performance. They address intimate issues such as death, pain, happiness, work, and religiosity. The artist conceives her art as a continuous investigation and reflection on reality, on being in the world, on her personal experience. As a singer, she has undertaken a personal journey of vocal experimentation applied to free improvisation and based on “extended vocal techniques” focused on the relationship between voice, body, soundscape and acoustic properties of places. Manuela Barile is Director of Binaural/Nodar, a Portuguese cultural organization dedicated to the promotion of sound and media arts in a rural context. Her audiovisual works have been shown in festivals worldwide, such as the Australian International Experimental Film Festival, Cologne OFF, Optica, Videoholica, and the Camden International Film Festival (US).

https://vimeo.com/manuelabarile

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